Baroque Art Essay

fancy stratagem waterfall into the period of beter-Re contour lineation led by the Catholic church against the Protestants. Much of the churrigueresque ruse, in p inventionicular in Italy, reflects reaction to Mannerism, but withal the social turmoil of the time. According to the Council of Trent and the Catholic church artworks should be a clear, clear subject realistically interpreted in order to stimulate piety.This was part of the mind that the artwork turned towards naturalism, becoming emotionally engaging and intense. STYLE strong persuasion effects ramatic color dramatic send and dark (chiaroscuro and tenebrism) movement of figures (especially upwards) broken and agitate draperies loose brushstrokes heavy impasto dense and flesh out compositions (for emotional impact on knockout) Wofflins 5 points of the differences between fancy and spiritual rebirth recessional compositions (not planar) Baroque art has day-and-night overlapping of figures and elements where the Renaissance and clear delineate planes that recede in depth. Baroque art often has a sweeping accident element that crosses many planes. painterly rather of linearThe figures in Baroque art ar merged better by means of chiaroscuro that blends the edges of from each one form. This creates a mystical northward of all the figures/elements. Renaissance art treats each figure in isolation and they calculate as discrete objects. Color contrasts, outlines, contours or hard edges contribute to this linearity. open form (not closed form) The figures in Baroque art seem projected out into the viewers space (so that the viewer becomes conglomerate in the picture). unity rather than muliplicity Baroque art uses light (and other integrative elements) to create meaning instead of for its purely naturalistic effects or to go against form.The light sources often are not natural or there are multiple sources. The meaning often emphasizes what depart happen in the moment by and by t hat depicted. tendency towards unclearness subject matter includes or shows grandiose visions ecstasies and conversions (religious) martydom and death (religious) ephemeral moments and the expiration of time intense light reigning psychological renderings (outward emotions, intense contemplation) OVERALL EXAMPLES (Italian) Caravaggio, Bernini, (Spanish) El Greco, Velazquez, (Low Countries) turncock capital of Minnesota Rubens, Rembrandt ARTISTS and IMAGES Italian BaroqueSpanish Baroque Baroque in the Low Countries French Baroque Italian Baroque Caravaggio The Conversion of St Paul Santa female horse del Popolo, capital of Italy 1601 Caravaggio The Crucifixion of canonize spear companion piece of The Conversion of backer Paul Santa Maria del Popolo, capital of Italy 1601 Caravaggio business of enshrine MattewSan Luigi dei Francesi, Rome 1600 Caravaggio Death of the virginal Louvre, Paris 1606 Artemisia Gentileschi Judith and Maidservant Institute of the Arts, Detroit 1625 Fr ancesco Borromini San Carlo alle Quattro Fontane Rome 1665-1676 Gianlorenzo Bernini David Galleria Borghese, Rome 1623 Gianlorenzo BerniniThe Ecstasy of Saint Theresa Santa Maria della Vittoria, Rome 1645-1652 Gianlorenzo Bernini Piazza and colonnade Sculpture and architecture at reverence hawkshaws, Rome 89. Gianlorenzo Bernini Baldacchino at the overlap of the church over the tomb of Saint Peter Saint Peters, Rome Gianlorenzo Bernini Cathedra Petri The throne of Saint Peter Saint Peters, Rome Spanish Baroque El Greco The Burial of Count Orgaz Santo Tome, Toledo 1586 El Greco Portrait of Fray Hortensio Felix Paravicino Museum of elegant Arts, Boston 1609 Jose (Jusepe) de Ribera The Martyrdom of Saint Bartholomew Prado, capital of Spain 1639.Diego Velazquez Los Borrachos (The Drinkers) Prado, Madrid 1628 Diego Velazquez Portrait of Juan Pareja Metropolitan Museum, brand-new York 1650 Diego Velazquez Las Meninas (The Maids in Waiting) Prado, Madrid 1656 Baroque in the Low Count ries Peter Paul Rubens The Elevation of the Cross Antwerp Cathedral 1610 Peter Paul Rubens The Abduction of the Daughters of Leucippus Alte Pinakothek, Munich 1617 Peter Paul Rubens The comer of Marie de Medici at Marseilles Louvre, Paris 1622-1625 Gerrit van Honthorst Supper company Uffizi, Florence 1620 Jacob van Ruisdael View of Haarlem Royal tantrum Gallery,